Northanger Abbey by Jane Austen (Over 2,100 results)

Condition: good. Fast Free Shipping â" Good condition book with a firm cover and clean, readable pages. Shows normal use, including some light wear or limited notes highlighting, yet remains a dependable copy overall. Supplemental items like CDs or access codes may not be included.

6 works in 5 vols, 8vo; b&w illustrations by Hugh Thompson, scattered light foxing to P&P, else unmarked internally; publisher's red cloth, titles and decoration to spine gilt, red topstains, a little rubbing to extremities; a very good set. A sweet set of Jane Austen's novels, comprising her four lifetime works Sense and Sensibility, Pride and Prejudice, Mansfield Park and Emma, and the two posthumous novels, Northanger Abbey and Persuasion.

Hardcover. Condition: Good. VG condition book without dust jacket. Boards are clean with little wear. Book has clean and bright contents. No Insert.

Hardback. Condition: New.

Condition: good.

First edition with these illustrations. Deluxe issue. Publisher's full vellum, elaborated decorated and with titles in gilt to the upper board and spine. Top edge gilt, the others untrimmed, as issued. Red silk ribbon page marker present but loosely laid in. Illustrated with a tissue guarded frontispiece, illustrated title page and a further 22 full page colour plates after watercolours by C. E. Brock. An excellent near fine copy, the binding square and firm, the vellum and gilt, bright and fresh. The contents, with just a little toning of the endpapers, are otherwise clean and without inscriptions or stamps. A very attractive example. A beautifully illustrated edition of Jane Austen's first completed but last published novel, in its scarcest and most desirable deluxe binding. (Gilson E116). Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

Paperback. Condition: New. Thomson, Hugh (illustrator).

Paperback. Condition: New. Thomson, Hugh (illustrator).

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Third Edition. The Oxford Illustrated edition of the works of Jane Austen - a set of six volumes complete in their dustwrappers - the third edition - later printings from 1989 ("Northanger Abbey and Persuasion" is 1988). Printed and bound in Great Britain by William Clowes Limited, Beccles and London. Each volume has an original Preface, along with a Note to the Third Edition by R. W. C. (Chapman), and facsimile title pages to each volume. The third edition first appeared in 1933, and was reprinted 14 times between 1944 and 1988 before this 1989 printing. ***Please note that there is splitting to the paper at the gutter of the half-title page of "Emma" but the binding is still firm (please see scans) (probably a production fault as it's the second example of "Emma" we have handled with this fault). Each of the six volumes is otherwise in near fine condition in black cloth-covered boards, with gilt titles and lining to the spine. Boards clean and unmarked. No bumps or creases - just a light indentation mark to the front board of "Sense and Sensibility" (please see scans). No reading lean to the bindings. Corners sharp. Page block edges clean. Internally also near fine with no inscriptions. Pages clean and bright. No foxing. Printed on thin but nice quality paper. With original title pages included and occasional illustrations. ***Each of the six volumes in near fine pale blue and cream dustwrappers. All dustwrappers clean and unmarked, with just light rubbing at the edges - just a light indentation mark to the front panel of "Sense and Sensibility" (please see scans). No creases, chips or tears. No fading except for gentle fading to the spines of "Pride and Prejudice" and "Northanger Abbey and Persuasion". Dustwrappers otherwise bright. ***2832 pages in total.193mm x 125mm. ***A complete six-volume set of the works of Jane Austen - extremely hard to find now in any edition in their original dustwrappers in such nice collectable condition - albeit with the above-mentioned faults. Uncommon. A lovely uniform set that would make a lovely gift for the Austen enthusiast - especially in the 250th year since the author's birth. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. ***PLEASE NOTE THAT THIS SET IS HEAVY AND IF SENDING OUTSIDE THE UK WILL INCUR EXTRA POSTAGE FROM THAT QUOTED ON ABE***.

[English literature] The Stoneleigh Edition, Limited to 1250 copies of which this is No.447. Complete in 12 volumes. Octavo (21 x 14 x 48cm). Generously illustrated with colour plates by Charles and Henry Brock, each with captioned tissue guards. Hand-bound in navy blue half morocco with gilt titles on plum morocco labels, gilt centre tools, blue cloth boards, top edges gilt others trimmed. Contents clean, exteriors unmarked. A fine set in an attractive recent leather binding.

Hardcover. Condition: Good. VG condition book without dust jacket. Boards are clean with little wear. Book has clean and bright contents.

Paperback. Jane Austen, Octopus Publishing Group. Paperback.

Buch. Condition: Neu. Neuware.

Hardcover. Condition: Fine. WITH AN ORIGINAL FORE-EDGE PAINTING BY MARTIN FROST. This vertical fore-edge painting shows two views, the first of a courting couple (presumably Catherine and Henry), the second of four characters in front of the door to a country home surrounded by a dog and three puppies. A fine copy in original dark red cloth over decorative boards, Frost's gilt-stamped matching leather spine labels, all edges gilt. With Martin Frost's signed and dated (2018) label tipped-in at front. Austen's celebrated 'anti-novel novel.' The 16th printing of this Folio Society edition (1997).

Hardcover. Condition: Good. No jacket. Oxford, at the Clarendon Press, 1933;32;26;33;26, 3rd;3rd;2nd;3rd;2nd editions. Five volumes, hardback, 8vo, [iv],xvi,429;xiv,415;xiv,567;xiii,521,[i];xiv,311pp, illust. Edges untrimmed. Original green cloth, spine ends slightly bumped. A good set. /3.8uk.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Attractive complete set of six novels in matching bindings and dust jackets, with illustrations by Hugh Thomson, housed in a strong dark red and pink illustrated cardboard sleeve box. Condition: Fine: very clean and bright original dark red bindings with hard spine tips and sharp corners to the spines; illustrated typeset end papers; no previous owner's marks or gift dedications; very clean and tight text blocks with no spotting or sunning; gilt to all page edges. Dust jackets condition: Fine: very clean and bright matching covers, with colour illustrations by High Thomson; not price clipped. Heavy box of six small volumes will need additional postage, as that quoted by Abe is for a single volume.

Leather bound. Octavo, 5 Volumes, original limp red leather covers, gilt titles to spine, top edge gilt, ribbon book mark, in the original publisher's slip case. A wonderful vintage set of Austen's works. Bookplate to inside front pastedown of all volumes, light wear to covers, spines with some toning, rubbing and loss to leather at spine ends and edges, Pride and Prejudice volume with chip to top end of spine, publisher's card slipcase with wear along all edges, rubbing and loss of paper at corners, else a good set.

Hardcover. First Edition Thus; First Printing. Very Good+ in a Near Fine dust jacket. Small owner bookplate on FEP. ; Barnes & Noble Classics.

Brock, C. E. First Brock editions of the complete novels of Jane Austen. Each volume with 24 colour plates by C. E. Brock. 8vo. C. E. Brock (1870-1938) first appeared as an illustrator of Jane Austen within Macmillan's 1895-7 Illustrated Standard Novels series (with introductions by Austin Dobson), Brock illustrating only Pride and Prejudice, and Hugh Thomson illustrating the other 5 titles. This series was only illustrated in black and white, which better suited Thomson's skilful use of line. A decade later, J.M. Dent, realising Brock's potential as a colourist, commissioned him to redo the Pride and Prejudice suite, this time in colour, and to create colour illustrations for the other five Austen titles. Dent's "Series of English Idylls" thus presents the first Brock illustrations for the complete Austen set and the first in colour. Brock was elected as a member of the Royal Institute of Painters in Watercolour in 1908, and certainly his vision of Austen's world, its gentle graces and sharp ironies, is best expressed, as here, in colour. Furthermore, the colourful costumes and interior decor depicted in these illustrations are reputedly accurate to the Regency period, for Charles Brock and his brother Henry collected antique furniture and clothing so that their friends and relations could model for the artists in their Cambridge studio. Original gilt decorative vellum, top edges gilt, others untrimmed, pictorial endpapers. Near Fine, in custom cloth slipcases Each volume with 24 colour plates by C. E. Brock. 8vo First Brock editions of the complete novels of Jane Austen.

Hardback. Condition: New. One of six new delightful and collectible hardback editions from Penguin Classics, publishing to celebrate Jane Austen's 250th anniversary'To look almost pretty, is an acquisition of higher delight to a girl who has been looking plain the first fifteen years of her life, than a beauty from her cradle can ever receive'During an eventful season at Bath, young, naïve Catherine Morland experiences the joys of fashionable society for the first time. She is delighted with her new acquaintances: flirtatious Isabella, who shares Catherine's love of Gothic romance and horror, and sophisticated Henry and Eleanor Tilney, who invite her to their father's mysterious house, Northanger Abbey. There, her imagination influenced by novels of sensation and intrigue, Catherine imagines terrible crimes committed by General Tilney. With its broad comedy and irrepressible heroine, this is the most youthful and and optimistic of Jane Austen's works.

Hardback. Condition: New. One of six new delightful and collectible hardback editions from Penguin Classics, publishing to celebrate Jane Austen's 250th anniversary'To look almost pretty, is an acquisition of higher delight to a girl who has been looking plain the first fifteen years of her life, than a beauty from her cradle can ever receive'During an eventful season at Bath, young, naïve Catherine Morland experiences the joys of fashionable society for the first time. She is delighted with her new acquaintances: flirtatious Isabella, who shares Catherine's love of Gothic romance and horror, and sophisticated Henry and Eleanor Tilney, who invite her to their father's mysterious house, Northanger Abbey. There, her imagination influenced by novels of sensation and intrigue, Catherine imagines terrible crimes committed by General Tilney. With its broad comedy and irrepressible heroine, this is the most youthful and and optimistic of Jane Austen's works.

Paperback. Condition: Very Good. Very Good 1977 reprint paperback with very lightly creased spine, lightly bumped and rubbed to tail. Corners very lightly bumped. Edges lightly toned. Internally, no writing or stamps. Clean, bright pages. Carefully packaged and despatched within 48 hours from our wee bookshop in Scotland.; Penguin English Library; 8vo 8" - 9" tall; 256 pages.

Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. A few small stains.

Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

First Edition; First Printing (with full number line). Hardcover, Canterbury Classics, San Diego, 2011. Bound in rich green cloth with elaborate gilt decoration and lettering to the front board and spine, with matching gilt design to the rear board. All edges gilt, bright and uniform. Decorative endpapers. Original green cloth ribbon marker present and intact. Pages are clean, unmarked, and bright. Binding is sound and square. A near-fine to as-new copy, with only very minor bumping at corners, barely noticeable. An elegant and gift-worthy omnibus volume containing Sense and Sensibility, Pride and Prejudice, Emma, and Northanger Abbey, with an introduction by Andrew Taggart, PhD. Canterbury Classics editions are widely collected for their high production quality, featuring decorative cloth bindings, gilt edges, and ribbon markers designed to evoke the look and feel of fine Victorian gift books. This Jane Austen omnibus is especially desirable, bringing together four of Austen's most enduring novels in a single, beautifully executed volume that appeals to both readers and collectors. Its elegant presentation makes it a perennial favorite for gift-giving, display, or personal libraries devoted to classic English literature. Additional pictures are gladly provided on request. Book will be carefully wrapped and boxed securely for safe handling during transit, with international shipping available. [Attributes: First Edition; First Printing; Hard Cover; Gilt Edges; Decorative Cloth Binding; Ribbon Marker; Introduction.]. 808 pages.

Hardcover. Limited Edition #174/1500. Octavo, 210 pages. In Very Good condition with Very Good slip case. Bound in publisher's multicolor striped cloth. Label adhered to spine. Top edge of textblock yellow. Book protected by glassine paper. Mild general shelf wear. Signed by Clark Hutton (illustrator) on publisher's limitation page in back of book. Shelved in Limited Editions Club. 1407570. Shelved Dupont Bookstore.

Hardback, approx 8 x 5 inches. In white vellum binding with elaborate gilt decoration to spine and front. Top edge gilt. Illustrated endpapers. In very good condition. Front and spine bright, some dark spots to vellum on rear board. Endpapers darkened, slight partial cracks between gutters. Some minor foxing to rear of frontis and tissue guard at front. One or two occasional small marks and foxing spots else pages clean and tight. Colour plates clean and bright. Else a very good clean and tight copy. 204pp. With 24 colour plates by C.E. Brock. Beautifully bound deluxe copy of the Jane Austen classic.

hardcover. Condition: Good. No Jacket. Undated. Blue cloth. No jacket. Previous owner's ink inscription. Posted within 1 working day. 1st class tracked post to the UK, Airmail with tracking worldwide. Robust recyclable packaging. Picture is the actual item.

Hardback. Condition: Very Good. This is a delightfully decorated copy of the Jane Austen classics, and includes an essay titled, "A Biographical Notice of the Author." American publishers in the late nineteenth century discovered that one of the ways to make their books stand out in a flooded market of mass-produced books was with ornate covers such as the one sported here: a brown cloth cover and spine holding black embossed decorative elements of every kind of description, as well as a fairytale gothic castle clinging to a waterside clifftop under a crescent moon and stars, all within its own frame. And that's before the gold bands, with their own blind stamped decoration, containing the title and publisher's name! (Perhaps that overabundance of decorative work left the artisans too exhausted to add anything except a blind stamped frame around the back cover.) There is only one illustration within the book itself, a plate titled "In the Drawing Room," a frontispiece behind tissue paper, depicting a gathering of young women from "Pride and Prejudice. Interestingly, they appear to be wearing dresses with the hoop skirts of the mid-nineteenth century, not the fashions of the era in which Austen wrote her masterpiece. It could be they are dressed that way because the original version of this edition was published in 1859, when such dresses were fashionable. The Library of Congress catalog entry for this title lists that as the publication date, but with Derby & Jackson of New York as the publisher. The publisher of this copy is Porter & Coates, according to the title page, but no publication date appears anywhere in the book itself. It is definitely late nineteenth century, however: An owner's name is written on the front flysheet dated as 1889, and some reputable sources that display photographs confirming their copy is the same edition as ours say it was published in 1884. This is NOT one of the Alta Editions that Porter & Coates published between 1867 and 1895, however. Those books are labeled as such as part of their decorative stamping, and nothing like that appears on this copy. The cover is in surprisingly good condition for a book of its age, with only some light bumping on the corners and slightly more damage on the ends of the spine, particularly the bottom, being worth mentioning. The pages are also in good shapethere is some expected age tanning, but the block is holding together well and we only found one tear in the margin of one page, and no marks. Even better, the paper itself is not nearly as brittle as that found in many books of this era. Where things start to fall down is at the hinges, especially at the front end papers. The cover is definitely starting to separate from the text block. However, this should be easy to repair, and worth it for a collector of nineteenth-century decorative bindings. See our photos for details.

Condition: Used: Good. Occasion - Bon Etat - Northanger Abbey (2015) - Poche.