Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo’s 1913 Futurist manifesto L’Arte dei Rumori (The Art of Noise) to Marcel Duchamp’s 1925 double-sided discs Rotoreliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance.
In Francesco Spampinato’s unique anthology of artists’ record covers, we discover the rhythm of this particular cultural history. The book presents 450 covers and records by visual artists from the 1950s through to today, exploring how modernism, Pop Art, Conceptual Art, postmodernism, and various forms of contemporary art practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter.
Along the way, we find Jean-Michel Basquiat’s urban hieroglyphs for his own Tartown record label, Banksy’s stenciled graffiti for Blur, and a skewered Salvador Dalí butterfly on Jackie Gleason’s Lonesome Echo. There are insightful analyses and fact sheets alongside the covers listing the artist, performer, album name, label, year of release, and information on the original artwork. Interviews with Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian Marclay, Albert Oehlen, and Raymond Pettibon add personal accounts on the collaborative relationship between artists and musicians.
"synopsis" may belong to another edition of this title.
Francesco Spampinato is a writer and historian of contemporary art and visual culture. He holds degrees from the University of Bologna and Columbia University, and a PhD from Sorbonne Nouvelle University. From 2011 to 2015, he was an adjunct professor at the Rhode Island School of Design, and since 2019 he has been a senior assistant professor at the University of Bologna. Author of several books and regular contributor to magazines and academic journals, he focuses on how contemporary artists interact with the media and everyday life in his own academic research.
Julius Wiedemann studied graphic design and marketing and was an art editor for newspapers and design magazines in Tokyo before joining TASCHEN in 2001. His titles include the Illustration Now! and Record Covers series, as well as the infographics collection and books about advertising and visual culture.
"About this title" may belong to another edition of this title.
Seller: Solibri, Epone, France
Condition: as new. couverture souple, moyen format , comme neuf état. Sous blister. 4145917 - Art Record Covers. 40th Ed., Spampinato, Francesco, Taschen, 2021. Seller Inventory # 4145917
Quantity: 1 available
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Condition: New. In English. Seller Inventory # ria9783836588164_new
Quantity: 12 available
Seller: AHA-BUCH GmbH, Einbeck, Germany
Buch. Condition: Neu. Neuware - Ob Salvador Dalí wohl gerne romantische Tanzmusik und Mood Music gehört hat, heute zumeist geringschätzig 'Easy Listening' genannt Man kann nur mutmaßen, zumindest fabrizierte er einen echten Dalí als Plattencover für den US-amerikanischen Entertainer und Orchesterchef Jackie Gleason, auf dessen Plattenhüllen ansonsten schmachtende Frauen oder auch nur deren Beine, Liebespärchen und Cocktailgläser dominierten. Gleasons Lonesome Echo erschien 1955 und ist damit ein frühes Beispiel für die Kollaboration zwischen bildender Kunst und Tonkunst. Die Geschichte der Popmusik ist immer auch die Geschichte ihrer ästhetischen Inszenierung, und die bildende Kunst hatte stets einen großen Anteil daran. Francesco Spampinatos beispiellose Sammlung zeigt über 450 Album- und Plattencover, die zwischen den 1950er-Jahren und heute von Künstlern gestaltet wurden, darunter Jean-Michel Basquiats städtische Hieroglyphen für sein eigenes Label Tartown, Banksys schablonierte Graffiti für Blur und Damien Hirsts Schädel mit Zifferblattaugen für The Hours. Die Cover werden von aufschlussreichen Analysen und allen sachdienlichen Informationen zu Coverkünstler und Interpret begleitet, während Interviews mit Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian Marclay, Albert Oehlen und Raymond Pettibon persönliche Anekdoten und Einsichten zur Liaison zwischen bildenden und musizierenden Künstlern beisteuern. Seller Inventory # 9783836588164
Quantity: 2 available
Seller: medimops, Berlin, Germany
Condition: as new. Wie neu/Like new. Seller Inventory # M03836588161-N
Quantity: 1 available
Seller: medimops, Berlin, Germany
Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. Seller Inventory # M03836588161-V
Quantity: 2 available
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 42971099-n
Quantity: Over 20 available
Seller: Librería Berlín, Valencia, V, Spain
Condition: Nuevo. Seller Inventory # ef9ab251bb06c6f992ab69a692b428bd
Quantity: 1 available
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 42971099
Quantity: Over 20 available
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Seller Inventory # 00089117706
Quantity: 2 available
Seller: Once Upon A Time, Corozal, PR, U.S.A.
hardcover. Condition: Very Good. Lightly used, text and pages clean and unmarked, slight cover wearI ship Worldwide from Puerto Rico, USA.Listing Includes Books Image . Please email me if you need to see more pictures! The orders are processed promptly, carefully packaged and shipped within 1 day of purchase. PLEASE NOTE! if you need the book quickly, please Purchase Priority Shipping. Media will not show updates in mail confirmation till reaches continental U.S. Seller Inventory # 032553
Quantity: 1 available